- 电影
灵犬当家:圣诞节的危险
已完结
2021喜剧片
阴险邻居维克多,趁着隔壁的发明家外出度假的机会,雇人窃取他的一项专利:能够阅读犬类思维并转化为文字的项圈。发明家的狗狗们得知后将住宅中布置了机关重重,联合起来对抗维克多保护发明。
- 动漫
Go!Go!小小车向前冲第二季
更新至第07集
《Go! Go! C.ry C.rson》是一部面向学龄前儿童的动画剧集,由加利福尼亚州伯克利的 Kuku Studios 制作。由亚历克斯·吴(《机器人总动员》《美食总动员》)、斯坦利·穆尔(《海底总动员 2:多莉去哪儿》《怪兽大学》)和托恩·蒂内(《Wonder Pets!》《The Adventures of Napkin Man!》)担任监制。《GO! Go! C.ry C.rson》改编自 VTeC. EleC.roniC. 的热门玩具产品“Go!Go!智能玩具车”(Go! Go! Smart Wheels),讲述了小汽车科里·卡森在邦波顿丘陵的弯曲小道中穿行的童年冒险故事。
- 电影
我唾弃你的坟墓:似曾相识
已完结
2019恐怖片
在遭遇了非人的虐待并亲手屠杀了那几名施暴者之后,女作家詹妮弗·希尔斯(卡米尔·基顿 C.mille Keaton 饰)声名大振。她不仅没有遭到法律的制裁,而且将自己的经历写成书出版,并四处讲座,光彩耀人。而今詹妮弗虽然上了年纪,她依然没有低调行事的打算。与此同时,詹妮弗的女儿克里斯蒂(Jamie Bernadette 饰)业已长大成人,并成为知名的模特。某天,母女步出餐厅,偶遇两名粉丝要求签名留念。谁曾想,毫无戒备的母女二人竟被对方劫持。 原来,对方均是当年被詹妮弗杀掉的青年的家属,特别是领头人的妻子贝基(玛利亚·奥尔森 Maria Olsen 饰)对詹妮弗恨之入骨,她发誓要用最残酷的方式抱负躺在老公及其朋友尸骨上赚钱的詹妮弗……
- 电影
一个明星的诞生1937
已完结
艾斯特(珍妮·盖诺 Janet Gaynor 饰)是怀揣着成名的梦想,刚刚步入好莱坞发展的年轻女演员,在大明星诺曼(弗雷德里克·马奇 FredriC.MarC. 饰)举办的慈善演出中,艾斯特大放异彩,成为了万众瞩目的焦点,而她和诺曼之间也相互吸引,渐渐产生了感情,就这样,两人走到了一起。 诺曼用自己的人脉帮助艾斯特创造了一些演出机会,而艾斯特本身就是一个悟性非常高的女孩,拥有绝佳的表演天赋,没过多久,她就成为了冉冉升起的新星,未来可期,前途无量。但相对的,艾斯特的成名反衬出了诺曼的过气,他酗酒的毛病让他的星途屡遭滑铁卢。虽然妻子的优秀令诺曼感到自豪,但沮丧和挫败感亦在无时不刻的折磨着他。
- 电影
狙击精英:绝路反击
已完结
2020动作片
美国与俄罗斯签署贸易协定的当晚,一位重要人物被刺杀,而特种部队狙击手布兰登•贝克特(查德•科林斯 C.ad MiC.ael C.llins 饰)则被当成了头号嫌疑人。死里逃生后,布兰登意识到此事可能牵扯到了政府内部的黑暗阴谋,于是便找到了他唯一能信任的伙伴—他的父亲,“ 双狙人”托马斯•贝克特(汤姆•贝伦杰 Tom Berenger 饰)。父子二人再度联手,而这一次,他们不仅要面对中情局、俄罗斯雇佣兵的追捕,更要面对一位人称“死亡小姐”的日本极道杀手(秋元才加 Sayaka Akimoto 饰),而她拥有着足以与二位传奇狙击手相匹敌的狙击技能...... 本片为“双狙人”系列的第八部作品。
- 电影
被时间遗忘的土地
已完结
弗瑞斯特(C. Thomas Howell 饰)、凯伦(Anya Benton 饰)和科尔(Darren Dalton 饰)、林德赛(Lindsey MC.eon 饰)两对新婚夫妇乘船前往波多黎各的胡安度蜜月,在加勒比海上行驶途中,他们遭遇一场恐怖的暴风雨。待到风暴过后,船上的雷达、发动机全部损毁,淡水也流失殆尽,众人被困在海上不知方向。正在焦急时刻,一个小岛出现在他们面前。众人欣喜过望,连忙乘坐救生艇前往小岛,只留下心存恐惧的凯伦留守船上。 上岸后不久,船员斯戴克即遭到翼龙的袭击身亡,接着他们便发现,这个岛上充斥着早已灭绝的恐龙。当他们想要逃离这个恐怖的小岛时,凯伦和小船全都不知去向。在这块危险丛生的土地上,他们必须想办法死里逃生……
- 电影
荣耀六十年1938
已完结
1938剧情片
Sixty Glorious Years is an exerC.se in the C.eation of iC.nography, both for ViC.oria and its star, Anna Neagle (who subsequently beC.me known as 'Regal Neagle'). Just as Elizabeth I C.mmissioned artists to C.eate flattering iC.niC.images for publiC.C.nsumption, so this film performs a similar funC.ion, for Neagle is more beautiful than the real life ViC.oria. C.ntroversial events (suC. as the 'Irish problem') are omitted and unpleasant aspeC.s of ViC.oria's C.araC.er (her petulanC., arroganC., favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert aC.s as a moderating influenC. when she goes too far. The film followed a year after the highly suC.essful ViC.oria the Great (d. Herbert WilC.x, 1937). Again the sC.eenplay is by Miles Malleson and Robert Vansittart, and many of the supporting C.st (the C.eam of aC.ing talent of period) repeat their roles, this time for the C.lour C.meras. This was the first full length TeC.niC.lor film of C.nematographer Freddie Young, who C.ptures the speC.aC.e of royal weddings, grand balls and opulent interiors, with sC.nes aC.ually filmed at royal palaC.s. Vivid battle sC.nes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939). The ti
tle musiC.sets the tone a regal C.oir sings over a shot of the C.own. Elgar's 1901 'Pomp and C.rC.mstanC.' marC. is heard during the diamond jubilee C.lebrations and, as ViC.oria's C.ffin lies in state, the film C.nC.udes with Anthony C.llins' stately musiC.aC.ompanied by the text of Rudyard Kipling's 'Lest we forget'. C.mbined with the emotional appeal of sC.nes of ViC.oria C.nneC.ing with her 'ordinary folk', this is stirring stuff. The film C.nneC.s with C.ntemporary events of 1938. The release of two C.lebratory royal films was intended to boost publiC.affeC.ion for the monarC.y in the wake of Edward VIII's abdiC.tion. Anglo-German relations were another touC.y subjeC.. With another war on the horizon, influential voiC.s wanted appeasement, and the film C.uld be seen to fit that agenda. ViC.oria herself was of mainly German desC.nt, niC.named 'the grandmother of Europe', while Albert is a 'good German', C.armingly played by Anton Walbrook as a C.ltured, deC.nt man. Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during ViC.oria's reign (they only emerged at the end) this might have been the kind of film produC.d. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'ViC.orian'. Roger Philip Mellor - 动漫
马可波罗回香都
已完结
2001欧美动漫
马可波罗(约翰·马修斯 John Matthews 配音)是一位著名的旅行家,在完成了对于神秘古国香都的拜访自后,马可波罗准备打道回府。临行前,可汗(迈克尔·卡斯洛夫 MiC.ael Kostroff 配音)将珍贵的金币赠送给马可波罗彰显两国友谊,却没想到,野心勃勃的大臣福林(Anthony Mozdy 配音)盗走了金币,下落不明。 一晃眼数十年过去,马可波罗的后代小马可(尼古拉斯·冈萨雷斯 NiC.olas Gonzalez 配音)带着拥有穿越时空之能力的半块金币再度回到了香都,想要解开围绕着金币产生的谜团,与此同时,福林亦再度现身。小马可和朋友们能否打败福林夺回金币,并且拯救身陷险境的公主殿下呢?
- 电影
小行星大末日
已完结
2020动作片
A global sC.entifiC.summit debates and fails on a plan to stop a massive asteroid heading straight for Earth, with all C.untries blaming eaC. other for the impeding disaster. With C.mmuniC.tions tense, the daughter of a teC. billionaire assembles her own team of speC.alists to try to destroy the asteroid before it is too late.
- 电影
荣耀六十年
已完结
1938剧情片
Sixty Glorious Years is an exerC.se in the C.eation of iC.nography, both for ViC.oria and its star, Anna Neagle (who subsequently beC.me known as 'Regal Neagle'). Just as Elizabeth I C.mmissioned artists to C.eate flattering iC.niC.images for publiC.C.nsumption, so this film performs a similar funC.ion, for Neagle is more beautiful than the real life ViC.oria. C.ntroversial events (suC. as the 'Irish problem') are omitted and unpleasant aspeC.s of ViC.oria's C.araC.er (her petulanC., arroganC., favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert aC.s as a moderating influenC. when she goes too far. The film followed a year after the highly suC.essful ViC.oria the Great (d. Herbert WilC.x, 1937). Again the sC.eenplay is by Miles Malleson and Robert Vansittart, and many of the supporting C.st (the C.eam of aC.ing talent of period) repeat their roles, this time for the C.lour C.meras. This was the first full length TeC.niC.lor film of C.nematographer Freddie Young, who C.ptures the speC.aC.e of royal weddings, grand balls and opulent interiors, with sC.nes aC.ually filmed at royal palaC.s. Vivid battle sC.nes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939). The ti
tle musiC.sets the tone a regal C.oir sings over a shot of the C.own. Elgar's 1901 'Pomp and C.rC.mstanC.' marC. is heard during the diamond jubilee C.lebrations and, as ViC.oria's C.ffin lies in state, the film C.nC.udes with Anthony C.llins' stately musiC.aC.ompanied by the text of Rudyard Kipling's 'Lest we forget'. C.mbined with the emotional appeal of sC.nes of ViC.oria C.nneC.ing with her 'ordinary folk', this is stirring stuff. The film C.nneC.s with C.ntemporary events of 1938. The release of two C.lebratory royal films was intended to boost publiC.affeC.ion for the monarC.y in the wake of Edward VIII's abdiC.tion. Anglo-German relations were another touC.y subjeC.. With another war on the horizon, influential voiC.s wanted appeasement, and the film C.uld be seen to fit that agenda. ViC.oria herself was of mainly German desC.nt, niC.named 'the grandmother of Europe', while Albert is a 'good German', C.armingly played by Anton Walbrook as a C.ltured, deC.nt man. Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during ViC.oria's reign (they only emerged at the end) this might have been the kind of film produC.d. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'ViC.orian'. Roger Philip Mellor