- 电影
心灵传输者
已完结
羞涩内向的15岁高中生戴维•莱斯(Max Thieriot 饰)拥有灰暗的童年,母亲在他5岁时离家出走,父亲则粗暴蛮横,他在学校里还经常受到同学的捉弄。某天,他不慎跌入冰窟中,却由此发现自己拥有心灵传输的神奇能力。这项能力可以让戴维凭借想象瞬间从一个地方转移到另一个地方,地与地之间从此没有障碍。 在此之后,戴维离开家独自居住,并利用这段时间学习掌握心灵传输的技术,而他首要目标锁定在抢银行上。多年后,戴维(Hayden Christensen 饰)因此过上随心所欲、养尊处优的自在生活。然而他的好日子即将走到尽头,一个名叫“游侠”的神秘组织专门追踪具有心灵传输能力的异能者。戴维成了被追击的对象……
- 电影
来自大海的女人
已完结
Valparaíso, Chile, 1933. Years of psychiatric treatment and a seemingly happy marriage will not take away Elisa's memory of that youthful love. So, when some years later, Rebecca becomes a beautiful feminist, Elisa's fragile world will collapse in front of her eyes. 美丽少女与她的同性恋倾向主治医生婚后又与学生时初恋女伴重逢的故事。画面美丽,结局可怕。
- 电影
熟男,我爱你
已完结
2008爱情片
影片由意大利畅销作家费德瑞克•莫洽执导,执导过不少电影的莫洽,这次首度将自己的小说搬上银幕。 电影原著小说在义大利卖出110万册,电影上映10天就以1500万美金成绩刷新意大利近年票房纪录。 37岁的亚力(雷欧·波瓦 Raoul Bova 饰)事业有成,长相英俊,最近却刚被女友给甩了。失意的亚力开车上班途中,竟不小心撞到了正要赶去上学的妮奇(米琪拉·奎阿托希欧奇 Michela Quattrociocche 饰),还将她的机车给撞烂了。17岁的妮奇刁蛮难缠,她不但坚持要亚力送她上学,还不忘跟亚力要了电话。之后妮奇没事就打电话让亚力带她去兜风,让她班上同学都看傻了眼。大家纷纷揣测:妮奇对成熟男人的兴趣,似乎还高过学校的男生。正当大家怀疑她是否只是一阵新鲜感时,妮奇却突然决定要带亚力回家,介绍给她年龄相仿的爸妈……
- 电影
死神假期
已完结
1934爱情片
Because I could not stop for Death, he kindly stopped for me; the carriage held but just ourselves and immortality” – Emily Dickinson If Death took a holiday, the guns would go silent in Iraq, the slaughter on our nation’s highways would cease, and the news media would be compelled to cover positive events in the humanities, arts, and sciences. Unfortunately, Death has not had a vacation in recorded history, but Mitchell Leisen’s 1934 fantasy, Death Takes a Holiday, allows us to consider the possibility. Co-written by Maxwell Anderson and Gladys Lehman and ba
sed on the play La Morte in Vacanza by Alberto Casella, Death Takes a Holiday stars Frederic March as the Grim Reaper who takes on human form in an attempt to discover why men fear him so much. Why he has waited 5,000 years to satisfy this curiosity is not explained. [Spoiler] After a brief tryout as a shadowy figure who scares the daylights out of those that cross his path, Death shows up at, of all places, an upscale party at an Italian villa, posing as the mysterious Prince Sirki. Only one person knows who he really is, the host Duke Lambert (Guy Standing), and he is sworn to secrecy. Sirki proceeds to fascinate the guests. Given to bursts of wit and poetry, he can just as quickly turn sullen and threatening, and some soon find out that it is better not to look too deeply into his eyes. During the three days in which the Prince is at the villa, however, people all over the world miraculously escape death and potential suicides are doomed to frustration. To see what’s behind all the conversation about love, the suave but naïve Prince Sirki falls for the irresistible Grazia (Evelyn Venable), the daughter of one of Duke’s friends. Grazia knows who Death is but does not fear him, much to the chagrin of her fiancé, Corrado (Kent Taylor) who has developed a strong disdain for Prince Charming. More sinister than Brad Pitt in the 1998 remake Meet Joe Black, March turns in a very convincing performance as the creepy yet strangely appealing guest. Although the ending is melodramatic, the emotions are very real and the suggestion that Death may in reality be a friend disguised as a foe is quite touching. (Howard Schumann, talkingpix.co.uk) In this wearisome and predictable plot line, Death falls in love and bores us to death talking about it. (Dennis Schwartz, homepages.sover.net) I've heard DRACULA was advertised with the tag line The Weirdest Love Story ever told! (this is probably a paraphrase), but at heart, I've never felt that you could honestly call that movie a love story. The tag line would be much more appropriate for this one, since it ultimately boils down to what amounts to a love story. This movie is very good indeed, particularly if you consider that it is built around a concept that could have easily been handled in a cute or facile manner. Instead, it is handled as seriously as possible, with some real thought put into how death would try to come to terms with a life and an outlook that was to that point totally unfamiliar to him; much of the credit does go to Fredric March in the ti tle role. It's quite scary when it needs to be, particularly during the first twenty minutes. From then on, it deals with its themes with subtlety, a quiet wit, an enduring sadness, and an everpresent tension on how Death might react if crossed. It's not perfect; some of the dialogue is self-conscious and artificial, as if the writers knew they were dealing with weighty issues and were trying to be profound. But I am certainly glad they didn't try to turn it into a musical comedy of sorts. (Dave Sindelar, scifilm.org) See also the remake Death Takes A Holiday (1971) - 电影
会飞的驴
已完结
2015剧情片
Maurizio is a stubborn boy who grows up near the fiumara, where people throw away whatever they no longer need. This open-air dump becomes his playground, where among wrecked cars and other treasures large and small, he begins to dream of playing in the town band. Mamma Rosa looks on his musical aspirations as a childish whim, a luxury that the family cannot afford. And so, between the good advice by Mosè the donkey and the pranks by chicken N’Giulina, Maurizio is faced with a growing series of adventures and comes to the realization that, if his dream is to come true, he must be determined to see it through right to the end.
- 电影
夜曲2020
已完结
朱丽叶(西德妮·斯威尼 Sydney Sweeney 饰)从小就生活在姐姐薇薇安(麦迪森·伊瑟曼 Madison Iseman 饰)的光环之下,薇薇安比她漂亮,比她有才华,比她受欢迎,还考入了她梦寐以求的音乐学院。所有人都坚信薇薇安在音乐方面前途无量,终将功成名就。 一次偶然中,朱丽叶捡到了一位自杀的女生遗留下来的乐谱,她演奏了这份乐谱,并且被其中诡异而又优美的旋律所深深吸引。学校正在招募音乐会钢琴独奏的人选,薇薇安显然是胜算最大的那一个,然而,朱丽叶凭借捡到的乐谱将这个机会从姐姐的手中夺走,这亦造成了姐妹反目。之后,朱丽叶感到自己内心的欲望越来越膨胀,她想要得到更多。
- 电影
魔音盒
已完结
2019恐怖片
When six-year-old Sophie is tragically orphaned guardianship is assigned to her estranged aunt Annabelle. The two move into a large, eerie, Victorian house where Sophie unearths a locked wooden box with a strange symbol drawn on it. Desperate to connect with her niece Annabelle pries the lock open revealing a beautiful music box. Each time the music box is wound and replayed it's surprisingly chilling melody plays slightly longer, captivating Sophie even more. When the music box begins affecting Sophie's behavior and health Annabelle seeks the aid of a child psychologist and clairvoyant who soon discover the music box is possessed by an evil spirit who seeks to haunt Sophie and destroy Annabelle. As the haunting intensifies time begins to run out and Annabelle finds herself racing against the music box's melody to defeat the spirit before the last note plays.